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Su tutti.ch da 08.03.2017

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Ultra-DI DI20 Behringer
1
Gossau ZH, 8625, 17.05.2026

Ultra-DI DI20 Behringer

besondere DI Box in gutem Zustand
10.-
Gossau ZH, 8625, 16.05.2026

Conrad Fusschalter

vom Web: Technische Daten Artikel mit gleichen Werten anzeigen Nettogewicht: 0,166 kg Abmessungen: 65 x 35 x 88 mm Gewicht: 166 g Art: Fußtaster Farbe/Farbcodierung: Rot/Schwarz Schaltfunktionen: Ein
10.-
Gossau ZH, 8625, 16.05.2026

Trace Elliott Dual Band SMX Compressor mit Powersupply

vom Web: SMX DUAL COMPRESSOR PEDAL General overview It is important to understand a little of what goes on inside the SMX pedal to give you an idea of what is happening to your sound as you adjust the units controls. To help with this a short description follows prior to the actual operating instructions. The SMX DUAL COMPRESSOR is two separate compressors in one unit, each compressor has its parameters set to suit the frequency band that it is dealing with i.e. Fast attack for the High frequencies and Slow attack for the Low frequencies. Two input filters are used to split the signal into its High and Low frequency components, the output from these feed the High and Low compressors. The EQ BALANCE control sets a crossfade between the output of the two compressors and provides an extremely versatile and entirely new form of powerful tone control. See BLOCK DIAGRAM below:- The SMX PEDAL can increase sustain on any note or harmonic, smooth out playing dynamics, add definition to fast runs, provide a switchable volume boost, provide a wide range of EQs that are easily and instantly adjustable, provide HIGH or LOW compression or any combination of the two and can function in the effects loop or on the front end of any amplification system. INPUT INPUT INPUT LEVEL LEVEL LED OUTPUT LEVEL EQ BALANCE HIGH PASS FILTER HIGH COMPRESSION LOW COMPRESSION LOW PASS FILTER FAST ATTACK COMPRESSION SLOW ATTACK COMPRESSION 3 We at TRACE ELLIOT consider that one battery of 9 volts does not give sufficient headroom in the circuitry for the peaks in the We at TRACE ELLIOT consider that one battery of 9 volts does not give sufficient headroom in the circuitry for the peaks in the signal from your instrument, so as not to compromise the signal integrity the SMX PEDAL uses two 9 volt batteries to give an internal power supply of 18 volts. Connections and controls Power to the unit is supplied from the two internal 9 volt batteries or from the D.C. SUPPLY socket on the back of the unit (this requires a regulated 18 volts mains adaptor available from TRACE ELLIOT as an optional extra). Power to the unit is turned on when a jack plug is inserted into the INPUT socket. Two LEDs indicate the ACTIVE status of the unit, these are EFFECT ACTIVE above the OUTPUT control to indicate when the effect is switched into circuit, and HI COMP ACTIVE to indicate when the HIGH COMPRESSION is switched into circuit. This second LED will indicate the status of the HIGH COMPRESSION even when the unit is in bypass mode i.e. EFFECT ACTIVE off, to let you know the current condition of the HIGH COMPRESSION prior to switching the overall effect into circuit i.e. EFFECT ACTIVE on. If either of these LEDs should start to become dim then it is time to replace the 4 batteries. Input control The INPUT control is to allow you to set the input sensitivity of the unit to your instrument, if this is not set to the optimum level then you will not have full use of the compression range available. With your instrument plugged into the SMX PEDAL and its own level control turned up full play a few loud notes. Gradually increase the setting of the INPUT control, the INPUT LEVEL LED should start off showing GREEN as you play and eventually turn to RED as the INPUT control is increased. The optimum setting for this control is when the LED shows GREEN for every note played with an occasional flick into the RED on loud peaks. Compression TRACE ELLIOT have always avoided including compression in any of their previous amplifiers as the integrity of the bass signal has always been paramount in all designs.The reason for this is simply that any kind of FULL RANGE compression used on bass is always an unacceptable compromise. It cannot act fast enough to catch attack transients, and if it does then it distorts low frequency signals. If you have used any full range compression then you know what we mean. The compression within the SMX PEDAL has therefore been split into two entirely
99.-