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6807, Taverne
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Taverne, 6807, 28.05.2026
SOUNDCRAFT 8000 SPARE PARTS + CASE
Soundcraft 8000 with some working parts and some not as spare parts.
500.-
Taverne, 6807, 28.05.2026
Tascam DX-2D
2 pieces, CHF 150.- per piece, CHF 250.- for the whole lot.
TASCAM DX-2D Professional 2 Channel Noise Reduction DBX unit and connectors. This example has mounted feet, rather than rack ears.
150.-
Taverne, 6807, 28.05.2026
Behringer SHARK DSP110 Audio Processor
1 pieces, CHF 50.-
Ultra low-noise Mic/Line input stage with Gain control and +48 V phantom power
-Automatic Feedback Destroyer with Learn function
-Delay line with up to 2.5 seconds of delay, adjustable in meters, feet and msec.
-Noise gate with automatic and manual parameter adjustments
-Super-musical compressor with variable density
-Level conversion from line to mic level and vice versa
-Subsonic filter with adjustable cutoff frequency
50.-
Taverne, 6807, 28.05.2026
Aphex DOMINATOR II Model 720
The Model 720 Dominator II from Aphex is a stereo multi-band peak limiter with zero overshoot. Perfect where brickwall limitation of signal strength is an issue, the Dominator allows you to work confidently, creatively and freely.
The Dominator can also be uséd to increase gain without compromising audio quality.
The standard choice for broadcast, Dominators are also ideal for digital recording, mixing, mastering, sampling or for in-ear monitoring situations.
150.-
Taverne, 6807, 28.05.2026
SOUNDCRAFT 8000 + PSU + CASE
SOUNDCRAFT 8000 Mixing board console mixer
- 32 INPUTS
- 8 BUSS
- 8 AUX
- PLUS MASTER AND TALKBACK
Include Power supply, power cable, mixing case and PSU case.
Tested and all functions work great, all meters work great.
1'500.-
Taverne, 6807, 20.05.2026
dbx 266XL
Made in China series, fully functional. 7 pieces, CHF 100.- per piece, CHF 650.- for the whole lot.
Most compressor/gates provide less than musical compression, coupled with gating that swallows transients?or closes early, cutting off decay and reverb tails. The superb engineering in the 266XL ensures that both its compression and gating provide versatility and excellent sonic performance in situations where other compressor/gates typically produce undesirable processing artifacts.
When using the 266XL?s AutoDynamic? Attack and Release controls, artists and engineers will find that the center settings deliver classic dbx compression, while the full control range produces voicings that extend from slow ?leveling? to aggressive ?peak? limiting.
The Auto Dynamic? circuitry continuously adjusts the actual attack and release times to optimally match the program material. Since users aren?t restricted to using the Attack and Release controls only in ?peak? operation, they can tailor the response of the 266XL for individual tracks, mixed program material, special effects or system protection. As a result, production studios can use the versatile 266XL to replace multiple ?single-purpose? limiters while sound reinforcement users can standardize on the 266XL for all of their applications.
The 266XL?s advanced gate circuitry uses a completely new, program-dependent timing algorithm to produce ultra-smooth release characteristics?even with complex signals, such as voice or reverb decays. dbx engineers went on to take advantage of the wide dynamic range and high precision of the dbx® VCA to design in an extra-wide threshold range and ensure top gating performance for each application.
Separate precision LED displays for gain reduction, compression threshold and gate threshold allow quick, accurate setup, while the 266XL?s intuitive operation lets users easily smooth uneven levels, add sustain to guitars, squash drums or tighten up mixes. In Stereo couple mode, the Channel 1 controls become Master controls, and Channel 2 follows precisely to ensure a rock solid stereo image?even with high amounts of compression. Professionals and newcomers will find that the 266XL sets up rapidly and musically the first time it is used, and every time thereafter.
The dbx® 266XL processor is the result of an intensive engineering and product development effort aimed at taking advantage of the latest and best advances in manufacturing technology to deliver true dbx audio performance and reliability to our customers at the lowest possible cost. The 266XL puts a completely new level of compressor/gate performance within everyone?s reach.
Some features:
-Goof proof operation to smooth uneven levels, add sustain to guitars, fatten drums or tighten up mixes
-New gate timing algorithms ensure the smoothest release characteristics
-Program-adaptive expander/gates
-Great sounding dynamics control for any type of program material
-Separate precision LED displays for gain reduction, compression threshold and gate threshold allow quick, accurate setup
-Stereo or dual-mode operation
-Balanced inputs and outputs on 1/4" TRS and XLR
-Side Chain insert
-Classic dbx® "Auto" mode
100.-
Taverne, 6807, 20.05.2026
dbx 166XL 110V - including transformer !
Made in China 110V series, 3 pieces mounted in a Gator 10HE flight case, including transformer for 230V. Perfectly functional.
Most compressor/gates provide less than musical compression, coupled with gating that swallows transients?or closes early, cutting off decay and reverb tails. The superb engineering in the 166XL ensures that both its compression and gating provide versatility and excellent sonic performance in situations where other compressor/gates typically produce undesirable processing artifacts.
When using the 166XL?s Attack and Release controls, artists and engineers will find that the center settings deliver classic dbx compression, while the full control range produces voicings that extend from slow ?leveling? to aggressive ?peak? limiting.The 166XL?s advanced gate circuitry uses a completely new, program-dependent timing algorithm to produce ultra-smooth release characteristics?even with complex signals, such as voice or reverb decays. dbx engineers went on to take advantage of the wide dynamic range and high precision of the dbx V1 VCA to design in an extra-wide threshold range and ensure top gating performance for each application.
Separate precision LED displays for gain reduction, compression threshold and gate threshold allow quick, accurate setup, while the 166XL?s intuitive operation lets users easily smooth uneven levels, add sustain to guitars, squash drums or tighten up mixes. In Stereo couple mode, the Channel 1 controls become Master controls, and Channel 2 follows precisely to ensure a rock solid stereo image?even with high amounts of compression, through True RMS Power Summing?. Professionals and newcomers alike will find that the 166XL sets up rapidly and musically the first time it is used, especially with the Auto attack and release function. Advanced applications are now easy, with the 166XL?s full sidechain functionality, and the ability to use either hard knee or OverEasy® compression algorithms. Add to this already impressive list of features the venerable PeakStop? limiter, and you?ve got a strong finisher, every time.
Some features:
- Goof proof operation to smooth uneven levels, add sustain to guitars, fatten drums or tighten up mixes
- New gate timing algorithms ensure the smoothest release characteristics
- Program-adaptive expander/gates
- Great sounding dynamics control for any type of program material
- Separate precision LED displays for gain reduction, compression threshold and gate threshold allow quick, accurate setup
- Stereo or dual-mode operation
- Balanced inputs and outputs on 1/4" TRS and XLR
- Side Chain insert
- Classic dbx® "Auto" mode
300.-
Taverne, 6807, 20.05.2026
Behringer ultrapatch pro Model PX 2000
48-Channel Multifunctional Patch Bay
-Unbalanced jack sockets 6.3 mm
-Three switchable modes per channel: Normal (normalised), Half Normal (half normalised) and THRU (through-connected)
-Switch on the top of the patch bay for each channel for switching the modes
-Body shape: 19" / 1 RU
50.-